One picture is worth a thousand words

If memory serves, when I built my two harpsichords, the first thing I built was called the "horse." It was the business end of the instrument just above where the keyboard sat. Its centerpiece was the oak wrestplank (also sometimes referred to as the pinblock), which was the heaviest piece of wood in the entire harpsichord. Of course, the instrument was strung north/south, so it made sense that it would be up front. It was into that very solid piece of wood that I drilled holes for the tuning pins. With the clavichord, the rim of the instrument (its framework, so to speak) comes first with the small, lightweight (by comparison) wrestplank and hitchpin block being inserted on the sides for an east/west stringing. When the rim is done, it comes time to attach the bottom of the instrument.

On my old harpsichord, the bottom was an unattractive piece of plywood. On the fretted clavichord, it is a lovely piece of wood that is constructed, it would appear, from long pieces of spruce or fir, 13/16" x 3/4", that are glued together in a northwest by southeast pattern. It is the heaviest piece of wood in the clavichord simply by virtue of its size and thickness.

Again, the instructions are a bit confusing: set it up, flip it over, it should go in this direction, etc. All right..... Is that direction before or after you flip it? Not too clear, but fortunately, the writer explains that the "slanted" construction follows the direction the strings will take in order to counteract their pull. Consulting the photos included with the manual was helpful, although I did need to look closely because the various "strips" of wood do not vary in color nearly as much as mine below does.

The picture says it all.

Once I had this clear in my mind, I flipped the rim and bottom over and marked the spots where I will drill for the screws.

And then America's Got Talent came on, and it was time to stop. So I did.

King of Sweden Double-fretted Clavichord

After a 30-year hiatus, I'm diving into instrument construction once again. The last two instruments back in the day were Flemish harpsichords. They are now in the hands of other owners. My newest venture is a King of Sweden double-fretted clavichord. Due to its compact size and the ease of moving it around, I'll be keeping this instrument for my own personal enjoyment. I wish I could recommend the company which manufactures this kit, but I'm afraid that since the departure of David J. Way (who later called himself D. Jacques Way), the Zuckerman Harpsichord Company has gone downhill in the area of customer service and satisfaction. With this clavichord, I also ordered a stand but only received part of it. I didn't do the parts inventory within their time frame (you know, folks, sometimes life intervenes) and came to learn that half the stand was missing. They refused to make good on it, so I will be paying a custom woodworker to construct the balance of the stand for me using what wood Zuckerman generously gave me for the big wad of cash I laid on them. The kit was also missing the bridge pins, and it took two e-mails and a little arguing to get them to send me some. So if you're interested in buying an early instrument kit, I suggest you try Hubbard Harpsichords. While I have no personal experience with Hubbard, they can't be any worse than Zuckerman. Yes, I'm being a little whiney, but at the price I paid for this kit and that stand, I think I'm more than entitled. If you do decide to try Zuckerman, inspect the kit immediately. Print out the parts list and go through everything to make sure it's all there. At least Zuckerman won't be able to pull the old "it's too late" routine on you. My plan is to give you a blow-by-blow description of the building process. Stay tuned.